The Art of the Dramatic Monologue
The formula
is as follows: take a striking character about to commit an unusual act. Stir
in an element of repressed or unrepressed excitement, blend with an element of
taboo or scandal and add a motive that is sometimes violent, sometimes enigmatic
and sometimes unknown even to the perpetrator. These are the main elements of a
dramatic monologue, a form of poetry popular among the Victorian and modern
writers. In this course, full of dodgy dukes, cunning churchmen, artful artists
and historical characters we shall show how Robert Browning and his successors
revealed some surprising psychological insights. Come and enjoy learning
something about poetry - and possibly ourselves...
This year I hope to offer an invigorating and enjoyable
course on Dramatic Monologues in which we look at the actions and mindset of a
galaxy of interesting characters, mainly in poetry, but also in prose. We shall
investigate Chaucer's Pardoner (with modern explanation), Shakespeare's Hamlet,
Henry V and Richard II, and Robert Browning's "My Last Duchess” and "A Bishop
Orders his Tomb in St Praxed's Church”. In prose we have an excerpt from "Mrs
Dalloway” and in modern idiom "The World's Wife” by Carol Ann Duffy.
Don't worry: this is a course based on extracts, and I will
supply most of the books to ease the weight of your luggage - but if you could
obtain copies of "Mrs Dalloway” and Carol Ann Duffy's "The World's Wife” which
I can't supply, that would be splendid. Cheap good second-hand copies may be
had online from Abe books or Amazon.
You will be most welcome to the course, and I look forward
to seeing you in the summer - and if you wish to rev yourself up for the
experience, why not try out some poems from "Archie and Mehitabel” by Don
Marquis? It's not every day that you come across a philosophical cockroach.
Francis Lloyd
About Francis
Francis read English at Exeter University and
worked briefly as a journalist before training as an actor at the Central
School of Speech and Drama. On leaving (in 1977) he worked first at Northampton
before working in rep in Southampton, Sheffield and Colchester. He also
appeared in the West End and on television. In 1985, he left the professional
theatre to re-train as a barrister, and was called to the Bar in 1987.
He has not, however, given up theatre, but has
appeared regularly at The Questors Theatre in Ealing, playing a number of
roles, including John inOleanna,Henry Carr inTravesties,
Wicksteed inHabeas Corpus, Sir Anthony Blunt in A Question of
Attribution and the title role inUncle Vanya.He has also
directed several plays, includingThe Importance of Being Earnest,
After the Dance, Hobson's Choiceand W.S.Gilbert's Engaged!as
well as new plays by Brian Abbott and Richard Gallagher and a staged performance
of Christopher Reid's Six Bad Poets.
He is married to Fleur, who is a regular tutor
at Marlborough, and with whom he has
given lecture recitals of poetry at the Summer School.